Ancient Evil 2021

Wickedness Designed to Rule the World

Bringing Hell to Earth

Sons and Daughters of Belial

The Lost Pyramid Prophecy - Part III

Deluge survivors journeyed down the Euphrates to Edessa and used symbols like those at neighboring Gobekli Tepe. After their descendants in Abraham’s family left Gobekli Tepe and Edessa, they retained knowledge of these nearly-forgotten symbols. They would have handed them down to elders of the family, likely those who later became the priests of Levi. The chief line of Levi, that of the High Priests of the calendar-initiating Passover season, would have handed them down to their chief heirs, the house of Eli, who ultimately would have brought them to Rome. (Mann 2011)

So “sacred” did these ancient letter-numbers become that we still use them at least 2,770 years after the house of Eli had first carried them to Italy. We use them to number chapters of books, to inscribe dates on cornerstones, and for any situation where there is a desire to create a formal image of long-standing authority. This authoritative aura derives directly from their great antiquity and their origin as a secret priestly system dating to the primitive age of Noah, the age of Gobekli Tepe, c. 11,600 years ago. (Mann 2011)

There is a possible test to see if Gobekli Tepe might have used these symbols as numbers. Languages like Greek distinguished numbers from letters either by underlining or by making a line over them. Latin did both.

Did any of the “letters” at Gobekli Tepe have lines both over and under them?

Yes… The lines were carefully carved into the stone after the letter-symbols were in place, whereas the letters themselves are raised above the background, something that requires advanced planning beforehand. This suggests Gobekli Tepe may forecast the use of symbols both as letters and numbers. The use of underlining as a final step, after the symbols were formed, also forecasts the way Roman numerals were later carved.

If Gobekli Tepe’s symbols have survived because they embodied Seth’s priestly secrets, could those on the pillar have been clues to the mysterious lost messages of Seth?

Gobekli Tepe has both carved megalithic stones and brick walls. So, these technologies also date to the end of the last ice age, arguably the time of Noah, and they are found in the very land where the ark was said to have come to rest: Turkey. (Mann 2011)

Moreover, the most exquisitely carved standing stones were soon buried by the builders, presumably to preserve them for a future generation, for they never uncovered them again. Only in our own generation have German archaeologists rediscovered the site and carefully removed the mound of dirt the builders had piled upon them. (Mann 2011)

We need to decipher these Noah-era inscriptions at Gobekli Tepe. So far, only one pillar’s inscriptions have received much publicity. What might they mean?

The largest symbols (looking like capital letters) read “C H C H D” and then, on the front side of the stone, in smaller versions: “I H N(?)” and “I I.” Some wear and subtlety in the formation of the symbols makes interpretation disputable. Between the small symbols on the front is a prominent ‘logo’ combining two symbols, a “W”-shaped symbol nestled inside a giant “U” (originally the same letter as “V” in Latin).

Our “W” was not in Latin. But a “W” was in Phoenician. It represented “teeth” and is now an “S.” (American Heritage Dictionary  (AHD) 2016, p. 1139a) So, their “WU” (“ShU”) logo may signify “Teeth in a Mouth,” suggesting an authoritative or Divine “Speaker” or “Word.”

We use “Shh!” to hush people to hear something important. Egypt’s Shu was the authoritative grandfather of Osiris. “Sh” inserted into “YHWH” (the Hebrew name of God) makes “YHShWH,” that is, “He who is The Savior,” i.e., “The Word of God.”

The symbols evolved from Gobekli Tepe’s burial (c. 8250 B.C.) until Rome (c. 750 BC). (Mann 2011) “C” in Phoenician became the Latin “L.” (AHD). Also, Phoenician had no vowels, nor lower-case letters. So, a vowel sound was inferred with each consonantal sound, as with an “E” sound after “D.”

It is possible the Gobekli Tepe “H” may have served a vowel function if it had a soft “H”-like pronunciation. Indeed, our own letter “E” was derived from a Phoenician “H.” (AHD 2016, p. 408a) So, the Gobekli Tepe “H” may have been used as a general vowel-like indicator. It is even possible their “H” could be several vowels, depending upon, for example, where the cross-bar was placed between the two uprights.

The Gobekli Tepe “C” symbol looks like a reversed Hebrew letter “Kapf,” which has a “K” sound. On the other hand, the ancient “C” (if we mean the third letter in their alphabet) became a “Gimel” or “G” sound in Hebrew. (AHD 2016, p. 184a)

Is Gobekli Tepe’s “C H C H D” decipherable? It may be “KEKED” “GOGAD” or “LALED,” if read left-to-right like Latin. Read right-to-left, it could be “DEKEK” “DAGOG” “DELAL” or all 6 possibilities: Hebrew is notorious for puns and word-play.

Some are Hebrew: “GOGAD” could be “Supreme Assembly,” the assumed function of Gobekli Tepe (Mann p. 58). Another is “DELAL”: “Kneel!” or “Submit!” (Strong’s #1809). “DeoHaLHaL” is another way to read this: “God be Praised!” On the front of the stone may be references to Noah or Noe (“NHI” = “NoHIh”) or Egypt’s Shu (“WU” = “ShU), fitting the post-Deluge era when it was carved. “YIShU-NHI” is the whole reading of the front side: “He who is Savior of Noah.” Altogether the pillar may have read: “God be praised! He who is Savior of Noah!” As noted, the “WU” (“ShU”) “logo” might be a “Savior” emblem of God, and “YIShU” a forerunner of “Yahshua,” the “Word of God.” So Gobekli Tepe may have been built by the prophetic priests of Seth.

All this brings us back to the rabbinic claims that, before the Flood, the priests of Seth had built both brick and stone monuments and had inscribed each of them with prophetic symbols that we would still be able to read at the end of this age. The Gobekli Tepe site demonstrates that all these requisite skills did exist at the time in question.

Once again, some Jewish traditions, even if not in the Bible, are consistent with archaeological facts, but not necessarily with the too-often anti-biblical opinions of secular scholars. We must be careful not to let their biased opinions and interpretations prevent us from studying the hard evidence of their archaeology and science.

Is there a stone monument of Seth in Egypt? The Sphinx has no carved symbols. But before Arabs stripped its outer casing stones 800 years ago, Herodotus (c. 443 B.C.) saw the Great Pyramid covered with both hand-written script and with carved symbols. The priests told him the script described the workers’ wages, but they did not (or could not) explain the symbols carved into its stone. (Herodotus 2003, II: 124-125)

The outer casing stones were added by Joseph, c. 4500 B.C., by my re-calibration of Joseph’s life, based upon an old rabbinical seven-fold chronology of Genesis. Joseph could have known Seth’s symbols. (cf. Genesis 49:22-26, I Chronicles 5:1) He may have copied onto his new casing stones old inscriptions he found on the ancient inner core masonry he covered up when the Great Pyramid structure was erected on it. (Schoch and McNally 2004, pp. 71-81, 204-209)

Astronomy can be used as a long-term prophetic “clock.” So, we should be alert to astronomical indications in the Great Pyramid. We should look for Seth’s star-sign clues that might point to events at the end of this age; they may be forerunners to the age-ending “fire next time” in the prophecies. (II Peter 3:7)

Deep within the Pyramid are all sorts of passages that investigators have been able to explore. But there are also four mysterious “air-shafts” that would have been cut off by the outer casing-stones. These four shafts required an enormous effort to create. They were not bored through the stone but built into it. Given that each shaft had to pass at strange angles through dozens of stones in the Pyramid, the shafts required astonishing stone-cutting alignment to keep them straight throughout their great length.

It has long been recognized by everyone that these four shafts were aligned with astronomical objects of great importance to the designer. Intense efforts were made to find the stars the shafts pointed to, at the time marked by two inscribed lines aimed at the Pleiades in its entrance passage (i.e. when these stars aligned in c. 2133-2141 B.C.).

Here is what the measurements have revealed:

Two shafts exit the upper King’s Chamber, and two emerge from the lower Queen’s Chamber. One shaft of each chamber points to the north and one to the south.

The King’s Chamber’s northern air-shaft points to Alpha Draconis, the brightest star of Draco, the Dragon. That hints at an end-time significance. (Revelation 12). The southern shaft points at the belt of Orion, whose three stars researchers match up with the three Giza Pyramids. They identify this southern air-shaft star with the Great Pyramid itself.

Is the shaft simply pointing at its own star?

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